Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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来自段干柿仑评价;故事简单,剪辑稀碎,开头现实,结尾梦幻,现实生活没有电影那么童话,不是处处都是he但可能导演是想给大家希望吧,所以 给大家都安排了一个好的结局
来自段干亩傺评价;看的时候不知道这跟黑泽明还有关系,感觉还可以,但也没惊世 骇俗 来自Maura评价;能永恒的是你看待这 一切的心 来自濮阳枚钥倌肝评价;相反的,在人物尚需润 色的情况 下,部分行为变得略显不解 来自宇文拾咽评价;全 片隐藏的种种意象和诗性的表达也许已经说明了一切,如果观众有心,应随着影片徐徐打开她们命运的多褶裥帷幔,耐心聆听血脉的共鸣如何解释两人间的欣快之症Copyright © 2008-2018