A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain. This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming. One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played. - JohnHowardReid, imdb
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来自公坚陨钥谎评价;故事也不错, 开头爱丽丝作为船长率领下属甩掉海盗 的围追堵截一下子把爱丽丝勇敢坚定的性格突出出来了
来自Perry评价;老美也是真的不怕疼,中了枪,放了血,匕首插穿手掌,照样该干嘛干嘛 来自乐正朔驹沦评价;不过没关系,反 而最重要的是这部电影的宝葫 芦演得很好看又可爱,我喜欢,只是配音有点怪怪的感觉,完全配不了宝葫芦的声音,还有我们的年代动画设计有点反感,看了都感到鸡皮疙瘩 来自公仲远晾评价;也希望每个 人能在看到对方“天衣无缝”的隐瞒后,珍惜对方的情感 来自鲜于呀评价;岳母的演技真的一般 但整部电影的配乐太赞了 最后温暖到想流泪 还有中间女儿跟女婿结婚前唯一一次冲 突 当知道原因时候真 的捧腹啊 爱情中真是就是这种莫名其妙的小事会惹到女生不开心 哈哈 推荐周末轻松一下可以看这部Copyright © 2008-2018