PARK Duk-joon is an old man living by himself. Every night, he suffers from insomnia attacks brought on by disturbing flashes from his dark past. He tries in vain to pray and find solace in religion. His only friend is Mrs. LEE, a church elder who gives him weekly church bulletins. Mrs. LEE invites him to a testimonial at her church. Duk-joon is surprised to see the face of the speaker. He is LIM Gwang-han, Duk-joon’s former superior officer from his days as a police interrogator in the 80s. They meet for the first time in years, Gwang-han brings up Duk-joon’s painful past again.
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来自东里沧叹蕉评价;保罗范霍文最牛逼的一点是,他可以在用暴力,色情这些看似上不得台面的东西作为吸引观众的噱头的同时,依然能够在电影中包含自己对人性与社会的严肃思考,本片就是 一大典型:如果你只想看个刺激,那么本片剧情的多次反转以及主角究竟是在现实还是梦中的不确定性,以及凸出的眼睛、人头炸弹、三奶妓女以及各种造型奇异的变种人这些重口味镜头都可以满足你的原始欲望;但如果你想有更深层次的思考,本片借助“记忆可以虚构”这个概念展开了许多讨论,尤其是主角在知道自己是自愿被选择洗去记忆后依然选择帮助反抗军的行为,无疑是在讨论到底是过去的
来自东郭队汗谈啬评价;怎么得出 来的这个译 名? 来自独孤孛枪觅评价;底特律过了哪有这么快就到蒙特利尔? 有些细节是挺草率的但整体故事性还挺强 也能引人入胜 来自闻人似衙奖评价;虽然可能电影的原著是这类影片的鼻祖,但是现在看多了,也不觉得奇特来自南门疚阜评价;而故事性上更是让人眼前一亮Copyright © 2008-2018