Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
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来自Lorelei评价;这就是我们的生活,没有奇迹,只有琐碎;没有方向,只有迷茫;没有果敢,只有逃避,最后还是要回到面对的轨道到上来
来自子车菊沤字评价;这部影片的几个关键字,生物老师、音乐、希望、格斗、坚持、呆比,每个元素都在感触我,每个人人都在努力拼搏,可能是为了美国公民,为了音乐 ,甚至只是为了不忍学生们的音乐课被取消。尤其最终格斗比赛中,音乐课教授对生物老师的赛前鼓舞那一席话。Inspire 来自段干来秃评价;灵魂的强 奸犯,还挺讽刺的 来自南荣杆召酌评价;很久以前有两个政客,他们一个叫资本,另外一个叫消费 来自南门补苫评价;有冈田健史是意料之外 给了我些许宽慰 尽管他的戏份和表演和造型都没有出彩之处 不过我觉得他和奶遥姐弟感很强 眼睛风格很像 脸型 也都比较有棱角 虽然一长一宽 下次搭个姐弟吧~!Copyright © 2008-2018